Heungcheonsa Mokjogwaneumbosalsamjonsang, Seoul photo
Treasure No.2275Sculpture1701년(조선 숙종27)

Heungcheonsa Mokjogwaneumbosalsamjonsang, Seoul

서울 興天寺 木造觀音菩薩三尊像

서울특별시 성북구

Basic information

Designation
Treasure No.2275
Category
Sculpture
Era
1701년(조선 숙종27)
Designated year
2024
Location
성북구, 서울특별시서울특별시 성북구 흥천사길 29(돈암동, 흥천사) 대한불교조계종 흥천사
Coordinates
No precise coordinates are available, so this item is not shown as a map marker. To be added later.

Description

Machine-translated

This English description was machine-translated and may contain inaccuracies. Refer to the original Korean text for details.

The wooden Avalokiteshvara Bodhisattva trinity from Seoul's Heungcheonsa Temple is documented through a creation dedicatory inscription to have been produced in 1701 by lead sculptor Beopjam and fellow craftsmen Gyecho, Jinyeol, and Seongin, originally enshrined at Seonghungsa Temple's Jeokjoam Hermitage in Imshil before being relocated to Seoul Heungcheonsa. Documentation indicates that during the 1890 Suweol Gathering Dharma service, the Avalokiteshvara figure, along with the South-pole Star Youth and the Dragon King figures, underwent gilding and repainting. Lead sculptor Beopjam remains relatively undocumented in late Joseon sculptural records, while Gyecho and Jinyeol rank among the most significant sculptors of the eighteenth century. Consequently, this trinity provides invaluable materials for investigating the formation and transmission of these sculptural lineages and may be attributed particular art-historical significance as representing the opening chapter of eighteenth-century Buddhist sculpture, being created in 1701. The Heungcheonsa Avalokiteshvara trinity is exceptionally rare, comprising Avalokiteshvara Bodhisattva, the South-pole Star Youth, and the Dragon King—a trinity composition rarely encountered in sculptural tradition. While antecedents appear in Goryeo-period Buddhist painting, this complete sculptural manifestation appears to have been firmly established only after the seventeenth century. Contemporary late Joseon ritual manuals identify these three figures as the Avalokiteshvara trinity for ritual veneration, making this sculptural trinity an important resource for understanding pre-documentation manifestations of Avalokiteshvara iconography and devotional practices.

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Images: KOGL (khs.go.kr) · Data source: Cultural Heritage Administration Open API (cha.go.kr)