Moguam Mokjoamitayeoraesamjonsang, Muan photo
Treasure No.2265Sculpture1614년(조선 광해군 6)

Moguam Mokjoamitayeoraesamjonsang, Muan

務安 牧牛庵 木造阿彌陀如來三尊像

전라남도 무안군

Basic information

Designation
Treasure No.2265
Category
Sculpture
Era
1614년(조선 광해군 6)
Designated year
2024
Location
무안군, 전라남도전라남도 무안군 법천길 482-85 (몽탄면, 목우암)
Coordinates
No precise coordinates are available, so this item is not shown as a map marker. To be added later.

Description

Machine-translated

This English description was machine-translated and may contain inaccuracies. Refer to the original Korean text for details.

The wooden trinity of Amitabha Buddha from Mogwooam Hermitage in Muan represents three gilt-wood Buddhist images—Amitabha Buddha (Amitayus), Avalokiteshvara Bodhisattva, and Mahasthamaprapta Bodhisattva—created in 1614 as documented by inscriptions on the base of the central Buddha figure. The sculptor Gakshim and other carvers are identified through this inscription, providing essential information for the study of 17th-century Buddhist sculpture. The central Buddha figure reaches 186 centimeters in height, representing a monumental sculpture executed with dynamic and vigorous modeling that reflects the religious renaissance following the Japanese invasions. The work exemplifies exceptional 17th-century sculptural artistry through its austere and religiously expressive facial features, elongated and proportionate body forms, and sophisticated three-dimensional carving technique that separates the torso from the mandorla as distinct sculptural elements. This trinity is historically significant as one of the earliest dated Amitabha trinitied compositions from the early 17th century, and notably rare in its combination of seated and standing forms. The work documents the sculptural activities of Gakshim and his workshop during the formative period of monastic sculptor lineages, illustrating the collaborative and interdependent relationships among sculptors of the period. The apprentices Eungwon and Inggyun documented here later developed independent sculptural lineages that became substantial schools in late Joseon Buddhist sculpture, with their artistic lineage traceable to Gakshim through this work.

Have you visited this place?

Check it off to record it in My Journey. (GPS/QR verification coming later.)

Images: KOGL (khs.go.kr) · Data source: Cultural Heritage Administration Open API (cha.go.kr)