Bulgapsa Mokjojijangbosalsamjonsang･siwangsang Ilgwal Mit Reliquary Objects, Yeonggwang

Basic information

Designation

Treasure No.2270

Category

Sculpture

Era

존상-1654년(조선 효종5) 복장전적-고려시대~조선시대

Designated year

2024

Location

영광군, 전라남도— 전라남도 영광군 불갑사로 450 (불갑면)

Coordinates

35.200654, 126.550184Kakao address conversion

This English description was machine-translated and may contain inaccuracies. Refer to the original Korean text for details.

The gilt-wood Jizang Bodhisattva trinity and Kings of Hell ensemble from Bulgapsa Temple in Yeonggwang, together with its consecration relics, was completed in 1654 by lead sculptor Muyeom and sculptors Jeonghyeon and Haeshim, comprising a complete set of 27 deities including Bodhisattva Jizang, the Kings of the Underworld, and their attendants. The dedicatory inscription confirms the creation of all 27 figures, and their complete preservation without loss provides crucial comparative material for understanding late Joseon period sculptural practices of the underworld realm. The sculptural composition demonstrates the Muyeom school's characteristic style while exhibiting Haeshim's distinctive individual artistic qualities. The dedicatory inscription reveals the hierarchical relationship within the Muyeom workshop, identifying Muyeom as the founding teacher, Jeonghyeon as senior associate, and Haeshim as the principal sculptor, thereby clarifying the transmission of the Muyeom sculptural lineage. Consequently, these figures serve as meaningful materials for comprehending the formation and transmission of the Muyeom school and its significance in late Joseon sculptural history. The ensemble's preservation in its original temple setting without loss or alteration of composition further contributes essential historical significance. Among the 27 figures, 16 contain consecration documents, with 15 previously included in the designated Buddhist temple relic documents of Bulgapsa. The integration of consecration relics with sculptural ensembles ensures comprehensive preservation and scholarly management of both religious and artistic dimensions, warranting designation as a national treasure alongside previously designated relic documents.

Location